A recording of "For This Moment Formed" an aria from Pedr Solis, with music by Per Bloland and libretto by Paul Schick.
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I had such an awesome year! I’d love to share my 2018 highlights with you! Check out this fun video!
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With BMOP’s new recording of his 1980s adaptation of Shakespeare’s Cymbeline, It is pleasing to see that they still are. In addition to winsome soloists soprano Aliana de la Guardia and tenor Matthew Battista – both taking on multiple roles.
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A year ago today I was launched into a life journey. The story I shared seemed to me, at the time, to be small in comparison to some others, yet still, speaking out, and SO publicly, was the scariest thing I've done in my life.
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Guerilla Opera’s board of directors has appointed Aliana de la Guardia and Julia Noulin-Mérat as co-artistic directors! They have been working together to produce the experimental company’s world premiere operas and productions since 2009. Together, now they will serve as the faces of the company.
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Aliana de la Guardia sings "Is It Really Me" from 110 In The Shade. From an outreach performance with her Dirty Paloma Voice Studio in May 2018.
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Boston Classical Review raves about Guerilla Opera’s Emergence I concert and about Aliana!
Read MoreSo incredibly flattered to be featured in this quarter's issue of Haverhill Magazine. The interview focuses on my work with Guerilla Opera, my local voice studio and my solo performances.
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Happy world voice day! I take my practice and vocal development very seriously. Sometimes I go out of my way to choose songs to work on, just for me, that help me develop or discover something new about my voice or to build on something that I feel needs improvement.
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I performed Canción (para mi niño) by Orlando Jacinto García as a part of my Dirty Paloma program called "Spanish Johnny," a musical portrait of an old-time desperado …
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