A recording of "For This Moment Formed" an aria from Pedr Solis, with music by Per Bloland and libretto by Paul Schick.
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With BMOP’s new recording of his 1980s adaptation of Shakespeare’s Cymbeline, It is pleasing to see that they still are. In addition to winsome soloists soprano Aliana de la Guardia and tenor Matthew Battista – both taking on multiple roles.
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Guerilla Opera’s board of directors has appointed Aliana de la Guardia and Julia Noulin-Mérat as co-artistic directors! They have been working together to produce the experimental company’s world premiere operas and productions since 2009. Together, now they will serve as the faces of the company.
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Boston Classical Review raves about Guerilla Opera’s Emergence I concert and about Aliana!
Read MoreSo incredibly flattered to be featured in this quarter's issue of Haverhill Magazine. The interview focuses on my work with Guerilla Opera, my local voice studio and my solo performances.
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I performed Canción (para mi niño) by Orlando Jacinto García as a part of my Dirty Paloma program called "Spanish Johnny," a musical portrait of an old-time desperado …
Read MoreAliana performs "Position, Influence" by David Coll at the New York Transduction Festival (Volume 2)!
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An aria from a reading of Crafting the Bonds, a new opera with music by Elena Ruehr, libretto by Gretchen Henderson. On this track is Cappella Clausura and the Arneis String Quartet conducted by Amelia LeClair.
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Here I am performing "Different Kinds of Light" by Marti Epstein with cellist Stephen Marotto. Text by Jackson Mac Low. Filmed from a live performance on January 22, 2018 by Boston Conservatory at Berklee.
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Joe Cadagin of Opera News reviews Guerilla Opera's studio album of "Loose, Wet, Perforated" by Nicholas Vines, released on Navona Records October 2017. He writes: “Soprano Aliana de la Guardia struts her stuff as the wanton Loose. She has a trashy moment of vulnerability when her character performs a striptease…”
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