Boston Musical Intelligencer
Bahué and Castle of our Skins are pleased to announce the sister projects: Black Composer Miniature Challenge (BCMC) and Latinx Composer Miniature Challenge (LCMC)! The two organizations are excited to share platforms, create greater visibility of the global majority, and build even stronger networks of diverse creatives.
Read MorePARMA Recordings is currently accepting vocal chamber works to be recorded in mid-2024 with tenor Omar Najmi and soprano Aliana de la Guardia.
Read MoreAliana de la Guardia is a featured vocalist on Navona Record’s VOICES OF EARTH AND AIR VOL V, a dynamic album showcasing the human voice and the powerful storytelling capabilities that vocal music wields.
Read More“‘The Owl and the Pussycat’ has a stylish female narrator [Aliana de la Guardia] who resists any temptation to guy it up and gives herself to the innocence of Lear’s poem…”
Read MoreAliana is a featured artist in “The Inside Story,” a blog series exploring the inner workings and personalities of our composers and performers. Read on to learn about her preparation for the role of Rose, and the upcoming productions she has planned with Guerilla Opera.
Read MoreNew on Navona Records is I GIVE YOU MY HOME, a chamber opera inspired by Rose Standish Nichols, potrayed by Aliana de la Guardia, a professional Bostonian woman, and highlights her professional work as a landscape architect as well as her efforts to affect change through activism in the Women’s Peace Movement and Women’s Suffrage, and featuring the incredible Guerilla Opera.
Read MoreGrammy Award-winning BMOP/sound releases Carlos Surinach: Acrobat of Gods, the debut recording of three Martha Graham ballets by Spanish-American composer Carlos Surinach, including The Owl and the Pusseycat (1978), based on the beloved poem by Edward Lear with narration by Cuban-American theater artist Aliana de la Guardia.
Read MoreHow did Ms. de la Guardia breathe such emotion into such an enigmatic character? In this recent interview with Barry Lenson of Classical Archives she explains. And she also talks about Guerilla Opera, the company that she founded, and discusses future plans for this remarkable young ensemble.
Read MoreDespite all the ongoing challenges she has faced, de la Guardia finds the positive in everything. When the pandemic disrupted Boston’s theater industry, the artistic director of the multidisciplinary artist-run troupe, Guerilla Opera, refused to panic... (DIG BOSTON)
Read MoreSuccess, to me, is not filling the biggest halls with the most amount of people. It's supporting the artists I care about, providing an opportunity to practice their art as part of a community, and fostering a culture of abundance, to the best of my ability.
Read More
